The action unfolds at a rip-roaring pace in this perfectly executed homage to the Golden Age of crime, which features a deviously devised plot boasting a final twist worthy of Christie herself. I loved it!' Anita Frank We also meet a whole range of people – who between them have a whole host of secrets! Not many of them were very nice people, but that’s fine as I was convinced that each of them in turn was the killer. I honestly suspected everyone – except there’s no way I’d have predicted the ending of the novel. The whole story takes place over a four day period in November 1924 as the cruise liner Endeavour approaches New York from Southampton with two thousand passengers and crew on board. When an elderly man is found dead at the bottom of a staircase, the ship’s captain assumes – and hopes – that it’s an accident. However, James Temple, a Scotland Yard inspector, happens to be one of the passengers on the voyage and, after examining the body, he is convinced that the old man has been murdered. The captain gives Temple permission to investigate the crime, but only if he agrees to be accompanied by one of the ship’s officers, Timothy Birch.

With just days remaining until they reach New York, and even Temple's purpose on board the Endeavour proving increasingly suspicious, Birch's search for the culprit is fraught with danger.

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It’s New years eve and a murder mystery party is being held at Hamlet Hall hotel. A hotel that has seen better days. In a secluded area of North Devon and there is no phone signal. There are eight guests, all with secrets of their own. Which had something to do with a body that is found on a beach over twenty years ago.

I enjoyed what I read of this more than the A Fatal Crossing, because it felt more focused and more clearly plotted. However, there are a lot of characters and perspectives though, which I was struggling to keep on top of, but this may have improved had I continued to read. This is your standard murder-at-the-party format that includes many twists and turns that accompany the complex narrative. There are deep lies and discoveries that intertwine between past and present and Hindle has really set a stride with this one. There are layers to these characters motives that are expressive but brutal. As before, we've had to pay attention to close details to follow everyone's steps and motives. This was an engaging read, but it did fall short on its surprises. The writing is innovative and can be deemed as a step up from A Fatal Crossing but the characters weren't as interesting. This could be more since A Fatal Crossing was one of my favourite reads of the year. When I first came across this book, it seemed like something I would absolutely love. Set in 1924, aboard a transatlantic liner travelling from Southampton to New York, this seemed to have the period flavour I love and a great setting. The Endeavour, with two thousand on board, is a wonderfully self-contained world, which seems ideal for a mystery. I loved how the game was constructed and how everything went down hill when a murder happened during the murder mystery party. Temple and Birch make an interesting partnership, particularly as it’s a very reluctant one! As an intelligent, competent and experienced detective, Temple is not at all happy about having an inept and bumbling ship’s officer shadowing his every move, saying the wrong things and interfering with the investigation. Birch is our narrator, and as we only see things from his point of view, Temple comes across as bad-tempered, rude and hostile, but there are hints that there’s more to each character than meets the eye. While Temple’s past and his reasons for boarding the Endeavour are shrouded in mystery, we learn that Birch is haunted by the disappearance of his young daughter Amelia and the breakdown of his marriage.

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The characters were mostly unlikeable apart from Theo, one of the actors hired for the party, and Lily, the victim’s daughter. I would have quite liked to see them team up and try and solve the mystery together. There is certainly plenty to like about "The Murder Game" and the influence of those aforementioned authors is plainly evident. There is a nice prologue to set the scene and introduce the key protagonists in true "Golden Age" mystery fashion. The setting, too, is very Christie-esque and I liked the way the author made use of a 1920s themed murder mystery game to create a mystery within a mystery. Not only did this allow homage to be paid to that classic era, but it also reminded me of the technique employed by Anthony Horowitz in his "Magpie Murders" and "Moonflower Murders" books. It won't escape fans of Horowitz that there is something of a "Midsomer Murders" feel to this story too. Whilst the plot was generally well structured, it felt too slow - the whole story takes place over just four days, but the narrative made it feel like several weeks. Fewer clichéd descriptions and less outrage on Birch's part would have gone some way towards remedying this, but the whole book would have benefited from more stringent editing and refinement.